Book Description (From Amazon): In the magical underworld of Victorian London, Tessa Gray has at last found safety with the Shadowhunters. But that safety proves fleeting when rogue forces in the Clave plot to see her protector, Charlotte, replaced as head of the Institute. If Charlotte loses her position, Tessa will be out on the street—and easy prey for the mysterious Magister, who wants to use Tessa’s powers for his own dark ends.
With the help of the handsome, self-destructive Will and the fiercely devoted Jem, Tessa discovers that the Magister’s war on the Shadowhunters is deeply personal. He blames them for a long-ago tragedy that shattered his life. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors, from the slums of London to an enchanted ballroom where Tessa discovers that the truth of her parentage is more sinister than she had imagined. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister himself knows their every move—and that one of their own has betrayed them.
Tessa finds her heart drawn more and more to Jem, though her longing for Will, despite his dark moods, continues to unsettle her. But something is changing in Will—the wall he has built around himself is crumbling. Could finding the Magister free Will from his secrets and give Tessa the answers about who she is and what she was born to do?
As their dangerous search for the Magister and the truth leads the friends into peril, Tessa learns that when love and lies are mixed, they can corrupt even the purest heart.
Soundtrack: “Be Here Now”~ Ray Lamontagne
The shimmering strings in this one and the lovely message make me think of Tessa and Jem. (Those crazy kids!)
Best Enjoyed With: A cup of fizzy lemonade. Preferably not spiked with Warlock powders.
It was such a treat to return to Cassandra Clare’s version of Regency London, I have no idea why I didn’t do it sooner. This book picks up immediately after the events of Clockwork Angel, and I have to admit that I actually enjoyed this book more than the first book in the series. (Considering my feelings about YA series in general, that’s high praise.) The plot took off like a runaway carriage, keeping the reader breathlessly following the events after Mortmain’s attack on the London Institute at the end of book one.
It’s imperative that the Shadowhunters discover more about the infamous Magister in order to attempt to discover his motives and his eventual plan of attack. Meanwhile, other Shadowhunters are questioning Charlotte’s competency of running the Institute. The consul gives them two weeks to discover the Magister’s plans, or Charlotte will be removed as director of the Institute, and the unsavory Benedict Lightwood will take over.
Meanwhile, Tessa is caught in a whirl of uncertainty. Not only is she not entirely sure where her powers come from, she’s fallen in love with two young men who she just happens to live with. Cassandra Clare kicks the romantic tension up a notch in this installment, and does a fabulous job of it. While the love triangle could a bit overused in the young adult genre right now, Will and Jem (short for James, if you haven’t started this series yet) are both so totally dreamy that it’s understanding why Tessa is torn. Unlike Jace and Simon in the Mortal Instruments books, there really isn’t a “best choice” between the two of them, and I found myself just as confused as Tessa. With two equally vivid heroes to fall in love with, we’re reminded exactly why the love triangle is such an effective plot device. It’s been a while since I’ve had a legitimate book boyfriend, and I might have to fight Angela for Jem.
Aside from gushing over the main characters, this book was a feast for the imagination. The characters leave London and travel by train to Yorkshire, where the stark beauty is described perfectly. There are plenty of grand manor houses and beautiful clothes, and what regency novel is complete without a masked ball? I think that writing within the Victorian conventions of propriety added some great dimension to the story. The love scenes were steamier because of it, and the exploration of character relationships on all levels were very authentic.
Another aspect of Cassandra Clare’s writing that I seemed to have forgotten was the humor she manages to sneak into various scenes. While her characters in the Infernal Devices series are bound by the constraints of society, there’s a degree of truth to the fact that they’re still teenagers, with all of the inherent snark that comes with that job description. Revisiting some of the characters that cross between the two series is a delight as well.
I’m eagerly awaiting the release of Clockwork Princess, and not just for the drop-dead gorgeous cover art.
Four and a half automatons.